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	<description>o movimento entre filme e palavra</description>
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		<title>Os cafajestes</title>
		<link>http://moviement.wordpress.com/2010/08/05/os-cafajestes/</link>
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		<pubDate>Fri, 06 Aug 2010 00:33:19 +0000</pubDate>
		<dc:creator>Rogério</dc:creator>
				<category><![CDATA[60&#039;s]]></category>
		<category><![CDATA[Cinema latino-americano]]></category>
		<category><![CDATA[cinema brasileiro]]></category>
		<category><![CDATA[cinema nacional]]></category>
		<category><![CDATA[Daniel Filho]]></category>
		<category><![CDATA[Jece Valadão]]></category>
		<category><![CDATA[Norma Bengell]]></category>
		<category><![CDATA[Os cafajestes]]></category>
		<category><![CDATA[Ruy Guerra]]></category>

		<guid isPermaLink="false">http://moviement.wordpress.com/?p=325</guid>
		<description><![CDATA[(Os cafajestes, Ruy Guerra, 1962) Os cafajestes, de Ruy Guerra, figura em listas de filmes fundamentais dentro do cinema brasileiro, como na seleção promovida pela Cinemateca Brasileira, em 1988. A linha da história é simples: dois pequenos golpistas de Copacabana buscam meios de ganhar dinheiro fácil através de chantagem. No entanto, o filme de 1962 [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=moviement.wordpress.com&amp;blog=8573986&amp;post=325&amp;subd=moviement&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<title>A falecida</title>
		<link>http://moviement.wordpress.com/2010/07/17/a-falecida/</link>
		<comments>http://moviement.wordpress.com/2010/07/17/a-falecida/#comments</comments>
		<pubDate>Sun, 18 Jul 2010 00:00:47 +0000</pubDate>
		<dc:creator>Rogério</dc:creator>
				<category><![CDATA[60&#039;s]]></category>
		<category><![CDATA[Cinema latino-americano]]></category>
		<category><![CDATA[A falecida]]></category>
		<category><![CDATA[cinema brasileiro]]></category>
		<category><![CDATA[Eduardo Coutinho]]></category>
		<category><![CDATA[Fernanda Montenegro]]></category>
		<category><![CDATA[Leon Hirszman]]></category>
		<category><![CDATA[Nelson Rodrigues]]></category>

		<guid isPermaLink="false">http://moviement.wordpress.com/?p=317</guid>
		<description><![CDATA[(A falecida, Leon Hirszman, 1965) Leon Hirszman dirige A falecida ainda jovem, com 27 anos de idade. É a estréia do diretor em um longa-metragem. O filme também marca a estréia daquela que se tornaria uma das maiores atrizes do cinema brasileiro – Fernanda Montenegro – no papel de Zulmira, a protagonista da história. A falecida [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=moviement.wordpress.com&amp;blog=8573986&amp;post=317&amp;subd=moviement&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<title>O albergue espanhol / As bonecas russas</title>
		<link>http://moviement.wordpress.com/2010/05/23/o-albergue-espanhol-as-bonecas-russas/</link>
		<comments>http://moviement.wordpress.com/2010/05/23/o-albergue-espanhol-as-bonecas-russas/#comments</comments>
		<pubDate>Sun, 23 May 2010 17:03:47 +0000</pubDate>
		<dc:creator>Rogério</dc:creator>
				<category><![CDATA[Cinema europeu]]></category>
		<category><![CDATA[2k&#039;s]]></category>
		<category><![CDATA[Amor à flor da pele]]></category>
		<category><![CDATA[Wong Kar-wai]]></category>
		<category><![CDATA[Cédric Klapisch]]></category>
		<category><![CDATA[L'auberge espagnole]]></category>
		<category><![CDATA[Les poupées russes]]></category>
		<category><![CDATA[O albergue espanhol]]></category>
		<category><![CDATA[As bonecas russas]]></category>
		<category><![CDATA[indie]]></category>
		<category><![CDATA[cinema francês]]></category>
		<category><![CDATA[500 dias com ela]]></category>
		<category><![CDATA[500 days of summer]]></category>
		<category><![CDATA[Marc Webb]]></category>
		<category><![CDATA[A bela Junie]]></category>
		<category><![CDATA[La belle personne]]></category>
		<category><![CDATA[Christophe Honoré]]></category>
		<category><![CDATA[In the mood for love]]></category>

		<guid isPermaLink="false">http://moviement.wordpress.com/?p=296</guid>
		<description><![CDATA[(L&#8217;auberge espagnole, Les poupées russes, Cédric Klapisch, 2002, 2005) O interesse na análise desses dois filmes de Cédric Klapisch – O albergue espanhol e As bonecas russas – vem no sentido de trazer à discussão um gênero que se torna recorrente na primeira década desse século e que, apesar disso, poucos conseguem realizar com competência. Há diretores [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=moviement.wordpress.com&amp;blog=8573986&amp;post=296&amp;subd=moviement&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<item>
		<title>Kill Bill</title>
		<link>http://moviement.wordpress.com/2010/05/08/kill-bill/</link>
		<comments>http://moviement.wordpress.com/2010/05/08/kill-bill/#comments</comments>
		<pubDate>Sat, 08 May 2010 15:50:06 +0000</pubDate>
		<dc:creator>Rogério</dc:creator>
				<category><![CDATA[2k&#039;s]]></category>
		<category><![CDATA[Cinema norte-americano]]></category>
		<category><![CDATA[Cães de aluguel]]></category>
		<category><![CDATA[Christina Lindberg]]></category>
		<category><![CDATA[David Carradine]]></category>
		<category><![CDATA[Executioners from Shaolin]]></category>
		<category><![CDATA[Executores de Shaolin]]></category>
		<category><![CDATA[Fist of the white lotus]]></category>
		<category><![CDATA[Godard]]></category>
		<category><![CDATA[Gordon Liu]]></category>
		<category><![CDATA[Kill Bill]]></category>
		<category><![CDATA[Lady snowblow]]></category>
		<category><![CDATA[Pai Mei]]></category>
		<category><![CDATA[Pulp fiction]]></category>
		<category><![CDATA[Punho da lótus branca]]></category>
		<category><![CDATA[Quentin Tarantino]]></category>
		<category><![CDATA[Reservoir dogs]]></category>
		<category><![CDATA[Sex & Fury]]></category>
		<category><![CDATA[Sonny Chiba]]></category>
		<category><![CDATA[Tarantino]]></category>
		<category><![CDATA[Thriller a cruel picture]]></category>

		<guid isPermaLink="false">http://moviement.wordpress.com/?p=283</guid>
		<description><![CDATA[(Kill Bill, Quentin Tarantino, 2003 e 2004) Apesar de sua relativa curta filmografia, Tarantino é um dos mais celebrados cineastas da atualidade. Em seu segundo filme, de 1992, Cães de aluguel – o primeiro longa-metragem, causou forte impacto e marcou sua posição como diretor dotado de marca pessoal e ímpeto. E se ficara alguma dúvida, ela [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=moviement.wordpress.com&amp;blog=8573986&amp;post=283&amp;subd=moviement&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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			<media:title type="html">kb1</media:title>
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			<media:title type="html">kb2</media:title>
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			<media:title type="html">kb3</media:title>
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			<media:title type="html">kb4</media:title>
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			<media:title type="html">thrill</media:title>
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		<title>Samba da vida</title>
		<link>http://moviement.wordpress.com/2010/05/08/samba-da-vida/</link>
		<comments>http://moviement.wordpress.com/2010/05/08/samba-da-vida/#comments</comments>
		<pubDate>Sat, 08 May 2010 13:20:08 +0000</pubDate>
		<dc:creator>Rogério</dc:creator>
				<category><![CDATA[Cinema latino-americano]]></category>
		<category><![CDATA[30's]]></category>
		<category><![CDATA[Samba da vida]]></category>
		<category><![CDATA[Luiz de Barros]]></category>
		<category><![CDATA[Cinédia]]></category>

		<guid isPermaLink="false">http://moviement.wordpress.com/?p=276</guid>
		<description><![CDATA[(Samba da vida, Luiz de Barros, 1937) Única superprodução do diretor em toda sua carreira, Samba da vida pretendia alcançar o mesmo sucesso de outro filme produzido pela Cinédia:Bonequinha de seda. Para tanto, Luiz de Barros contou com equipe numerosa, cenários de grande porte, e equipamento de última geração. A nota introdutória da versão restaurada [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=moviement.wordpress.com&amp;blog=8573986&amp;post=276&amp;subd=moviement&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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			<media:title type="html">moviement</media:title>
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		<title>Sonata de Tóquio</title>
		<link>http://moviement.wordpress.com/2010/05/04/sonata-de-toquio/</link>
		<comments>http://moviement.wordpress.com/2010/05/04/sonata-de-toquio/#comments</comments>
		<pubDate>Tue, 04 May 2010 13:07:54 +0000</pubDate>
		<dc:creator>Rogério</dc:creator>
				<category><![CDATA[2k&#039;s]]></category>
		<category><![CDATA[Cinema oriental]]></category>
		<category><![CDATA[Kiyoshi Kurosawa]]></category>
		<category><![CDATA[Sonata de Tóquio]]></category>
		<category><![CDATA[Tôkyô sonata]]></category>

		<guid isPermaLink="false">http://moviement.wordpress.com/?p=247</guid>
		<description><![CDATA[(Tôkyô sonata, Kiyoshi Kurosawa, 2008) Sonata de Tóquio é um filme delicado. Com o cuidado que é próprio à cultura e à arte japonesas, Kiyoshi Kurosawa trata de temas sérios e vai a fundo nas relações humanas, sobretudo no âmbito familiar. Apesar de a angústia e a dor estarem presentes na vida das personagens ao [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=moviement.wordpress.com&amp;blog=8573986&amp;post=247&amp;subd=moviement&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<item>
		<title>A mulher de todos</title>
		<link>http://moviement.wordpress.com/2010/04/26/a-mulher-de-todos/</link>
		<comments>http://moviement.wordpress.com/2010/04/26/a-mulher-de-todos/#comments</comments>
		<pubDate>Mon, 26 Apr 2010 04:33:27 +0000</pubDate>
		<dc:creator>Rogério</dc:creator>
				<category><![CDATA[60&#039;s]]></category>
		<category><![CDATA[Cinema latino-americano]]></category>
		<category><![CDATA[A mulher de todos]]></category>
		<category><![CDATA[Ângela Carne e Osso]]></category>
		<category><![CDATA[Cinema Marginal]]></category>
		<category><![CDATA[Cinema Novo]]></category>
		<category><![CDATA[Helena Ignez]]></category>
		<category><![CDATA[Rogério Sganzerla]]></category>

		<guid isPermaLink="false">http://moviement.wordpress.com/?p=235</guid>
		<description><![CDATA[(A mulher de todos, Rogério Sganzerla, 1969) A mulher de todos apresenta Ângela Carne e Osso, uma mulher de moral desvirtuada, ninfomaníaca, que seduz os homens à sua volta – em geral tipos boçais, pelos quais ela se diz atraída. Ela afirma que é errada por ser uma mulher &#8220;do século XXI&#8221; que chegou antes, [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=moviement.wordpress.com&amp;blog=8573986&amp;post=235&amp;subd=moviement&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<title>Mônica e o desejo</title>
		<link>http://moviement.wordpress.com/2010/01/17/monica-e-o-desejo/</link>
		<comments>http://moviement.wordpress.com/2010/01/17/monica-e-o-desejo/#comments</comments>
		<pubDate>Sun, 17 Jan 2010 14:05:23 +0000</pubDate>
		<dc:creator>Rogério</dc:creator>
				<category><![CDATA[50&#039;s]]></category>
		<category><![CDATA[Cinema europeu]]></category>
		<category><![CDATA[Gunnar Fisher]]></category>
		<category><![CDATA[Harriet Andersson]]></category>
		<category><![CDATA[Hitchcock]]></category>
		<category><![CDATA[Ingmar Bergman]]></category>
		<category><![CDATA[Jean-Luc Godard]]></category>
		<category><![CDATA[Mônica e o desejo]]></category>
		<category><![CDATA[Sommaren med Monika]]></category>
		<category><![CDATA[Summer with Monika]]></category>

		<guid isPermaLink="false">http://moviement.wordpress.com/?p=213</guid>
		<description><![CDATA[(Sommaren med Monika, Ingmar Bergman, 1953) O desmoronamento das relações interpessoais seria um dos temas recorrentes do cineasta sueco. Sommaren med Monika é o primeiro filme de Bergman com distribuição internacional. A obra não apenas abre as portas para a trajetória do diretor como um dos maiores de nossos tempos, mas também instaura a temática [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=moviement.wordpress.com&amp;blog=8573986&amp;post=213&amp;subd=moviement&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<title>Matou a família e foi ao cinema</title>
		<link>http://moviement.wordpress.com/2009/11/11/matou-a-familia-e-foi-ao-cinema/</link>
		<comments>http://moviement.wordpress.com/2009/11/11/matou-a-familia-e-foi-ao-cinema/#comments</comments>
		<pubDate>Wed, 11 Nov 2009 04:17:41 +0000</pubDate>
		<dc:creator>Rogério</dc:creator>
				<category><![CDATA[60&#039;s]]></category>
		<category><![CDATA[Cinema latino-americano]]></category>
		<category><![CDATA[Cinema Marginal]]></category>
		<category><![CDATA[Júlio Bressane]]></category>
		<category><![CDATA[Matou a família e foi ao cinema]]></category>

		<guid isPermaLink="false">http://moviement.wordpress.com/?p=204</guid>
		<description><![CDATA[(Matou a família e foi ao cinema, Júlio Bressane, 1969) Ismail Xavier, ao comentar o trabalho de Júlio Bressane, usa o termo &#8220;cinema de poesia&#8221; para descrevê-lo. Por certo, a obra do cineasta pauta-se pelo inusitado e pelo olhar poético. Experimental, o cinema de Bressane escapa ao modelo tradicional e embrenha-se em poesia textual e visual. [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=moviement.wordpress.com&amp;blog=8573986&amp;post=204&amp;subd=moviement&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<title>A última vida no universo</title>
		<link>http://moviement.wordpress.com/2009/09/07/aultimavidanouniverso/</link>
		<comments>http://moviement.wordpress.com/2009/09/07/aultimavidanouniverso/#comments</comments>
		<pubDate>Mon, 07 Sep 2009 10:21:18 +0000</pubDate>
		<dc:creator>Rogério</dc:creator>
				<category><![CDATA[2k&#039;s]]></category>
		<category><![CDATA[Cinema oriental]]></category>
		<category><![CDATA[A última vida no universo]]></category>
		<category><![CDATA[Buñuel]]></category>
		<category><![CDATA[Cet obscur objet du désir]]></category>
		<category><![CDATA[Chistopher Doyle]]></category>
		<category><![CDATA[Last life in the universe]]></category>
		<category><![CDATA[lizard]]></category>
		<category><![CDATA[Pen-Ek Ratanaruang]]></category>
		<category><![CDATA[Ruang rak noi nid mahasan]]></category>
		<category><![CDATA[Takashi Miike]]></category>
		<category><![CDATA[Watchmen]]></category>
		<category><![CDATA[Wong Kar-wai]]></category>

		<guid isPermaLink="false">http://moviement.wordpress.com/?p=174</guid>
		<description><![CDATA[(Ruang rak noi nid mahasan, Pen-Ek Ratanaruang, 2003) Eu tento acompanhar de perto a produção cinematográfica asiática. A genialidade dos cineastas orientais, que vai muito além da direção, com grande destaque na arte e fotografia, não se limita aos clássicos de Kurosawa e Mizoguchi. Grande parcela do que de mais genial e criativo se faz [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=moviement.wordpress.com&amp;blog=8573986&amp;post=174&amp;subd=moviement&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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